This topic contains 21 replies, has 2 voices, and was last updated by Clare 5 months, 1 week ago.
- March 18, 2017 at 10:01 pm #8344
New to resin and resin products, so happy to have found this site! I started doing some small abstract paintings on mirrors using the pebeo oil based paint and then tried to clear coat them with their two part epoxy resin called gedeo. I was very careful in measuring & mixing. My pieces were completed three weeks prior, so I thought they were dry enough, but my clear coat wrinkled and puckered just awfully. It looked like varnish does when it is applied too thickly. I assumed the resin would just cure hard and smooth not form a skin and ripple. What did I do wrong? I can find no way to talk to the manufacturer or any help with this product, would welcome some direction there too.
- March 20, 2017 at 3:30 pm #8353
Unfortunately, I don’t have any experience with Gedeo resins and cannot make a comment as to why they didn’t work. We do sell TotalCast resin, however, which is designed for what you want to do. https://shop.resinobsession.com/collections/resin/products/totalcast-clear-artwork-resin-70-ounce-kit
I will ask the manufacturer to leave their comments as to what could be going on.
- March 20, 2017 at 3:53 pm #8354
Hi there Margo,
The Gedeo material is a very low viscosity casting resin and has curled up and pooled due to surface tension.
I recommend you use MasterCast 1-2-1 as this will give you a thick and uniform clear coating.
- March 21, 2017 at 12:40 am #8356
Thank you, I’m eager to try something else,but really disappointed in the Gedeo, it was very pricey!
- June 11, 2017 at 10:56 am #9153
Hi I seem to have the same problem. I wanted to use the glazing medium only in certain sections of my artwork, keeping some matt, and it has pooled. I need to finish the piece and wondered if I put on a second coat, the same thing would happen. Also do I have to sand first? I have seen something about second coats, but cannot find it now. Thanks
- June 12, 2017 at 12:08 pm #9157
@Mary, yes, you can recoat with another layer of resin without sanding first. I would recommend using tape to create a dam around your project, then repour.
- June 12, 2017 at 2:32 pm #9161
I emailed Pebeo about the curling and pooling and they said was that the viscosity will gradually increase as the resin starts to dry…The also said that “The 150g Glazing Resin pack will cover an area of 10.5 x 14.8cm” which is not stated on the instructions or pack. I had given them the measurements of my artwork 612.80 sq cm. and managed, as their advice to spread with a spatula and it covered all the work and that is now their response, so I will need 4 packs in total which is nearly £120 – I think not. So they supplied me with no solution re second coating as requested apart from they could not comment on other manufacturers! Very expensive and will be looking for a UK different brand supplier. Any suggestions? Thanks
- June 12, 2017 at 5:23 pm #9163
How awful Mary! Yes, I would recommend Clare and Kate at Resin8. They are also based in the UK and should be able to help find a solution. Please let them know we referred you. 🙂
- June 14, 2017 at 7:38 am #9177
Thank you so much for this. I will certainly mention you, this website is great – too many hours spent reading and learning, but now have a new project to do.
- June 14, 2017 at 7:44 pm #9178
Hi and sorry to bother again with a problem. I did the second coat; as explained it was in section to keep some areas matt. For an example,imagine a noughts and crosses grid made out of sticks on a plywood base and I am glazing between the sticks. This is the second coat as advised above. There are 9 squares and 3 of the squares are good but the others have a slight cloudiness. The temperature in the UK is good, about 20 C and my table with the artwork on is next to the airing cupboard, door open with the hot water tank, so warm enough I think. There are also a few ‘holes and curling’, but very small in the glazing area. So the questions are can I ‘patch up’ the holes and how do I get rid of the clouding. I have ordered the Resin8 1-1 and this is arriving tomorrow in case I can mix brands; I referred to your recommendation to them. Thanks so much again. If only the rest of the world and businesses were this passionate and prompt!
- June 15, 2017 at 11:58 am #9181
Yes, I would try patching up the holes, but you are going to have to pour over the full area. I think it’s pretty hard to get the resin to look even on the surface simply by patching the holes.
For the next pour, try warming up your resin and hardener as well. That may be why it’s cloudy.
Are you also sure there isn’t any water contamination in your resin and/or hardener? Water can make things cloudy as well.
- June 15, 2017 at 2:39 pm #9182
Thanks for this. I am just worried that the cloudiness will not disappear with the 3rd coat. I am pretty certain that no water has got in. Just in case I it has though, will a third coat revert it. The work is quite large, and there is no way I can do a test piece. The plastic containers were new and had been wrapped up (plastic tumblers). I am in the UK and it is very warm, though not humid.Could it be any salt from seawater, even though I soaked and washed the wood down? I am determined to rescue this artwork made of beach finds, so if it will remain cloudy and I cover with tissue/handmade paper the areas could it still take a further coat of glaze? Thanks
- June 16, 2017 at 3:14 pm #9202
Hi again – I will finish this artwork. After much researching I found a you tube that put a heat gun on the cloudiness and it disappeared. Well, it was worth a try and yesterday the heat worked and got rid of the cloudy but today it was back again. Does this give a clue at was is happening? Thanks again.
- June 16, 2017 at 6:07 pm #9207
How strange! It does sound like a moisture issue. It might be worth putting the artwork in a room with a dehumidifier for a bit.
- June 16, 2017 at 7:23 pm #9213
Sorry to keep going on asking questions, but it seems that resin is either used for casting or covering artwork. I do collages with bits of beachcombed wood and plastic, building up layers and trying to get the difference between sea and non sea. I have just started with resin and love the mirror effect. Sometimes the resin needs to be glazed and sometimes thicker. Anyway I want to pursue this way of working and that is why I am being quite particular.
Anyway, because my main background to the above piece is plywood from the sea, could it be salt? Also it says not to put the resin in sunshine, but could I put the back of the artwork in sun so the moisture comes out of the back? It is hot in the UK at the moment, 25 centigrade with a lovely wind so would the natural way work. Humidifiers are expensive.
- June 16, 2017 at 8:29 pm #9218
I love that you are being particular about this. That’s how you learn the most about resin!
I don’t know what salt would do in terms of the cloudiness. What has me perplexed is that it goes away, then comes BACK after using the heat gun, which makes me think moisture.
I don’t know that I would put the cured piece in the sunshine (either front or back) as I don’t want to subject it to UV light any more than necessary.
A dehumidifier would be nice to draw out the moisture. Maybe in a closet with a space heater?
- June 17, 2017 at 11:50 am #9226
I had read that some resins were affected by UV and not to put them in sunshine etc., but then went onto your detailed tech stuff and it said the only resin with stabilizer + HALS was Art Resin, but bought the Resin8 1-1 which you recommended which I can get in the UK. I can also get the Art Resin. I think I said I was entering this piece into an open exhibition but now I am worried that if it sells (ever the optimist). Where should a piece with just stabilizers hang? Obviously not in direct sunlight in a room, but what a about a bright room? Do I advise any possible purchasers accordingley? I am sure someone somewhere has written a technical detailed paper on this somewhere. Any suggestions. Or am I being to particular again;all those instructional videos about covering artwork etc never mention this?
- June 17, 2017 at 11:54 am #9227
Sorry just scrolled further down on the UV page and got the tech stuff from Art Resin, but a suggestion about yellowing on Resin8 1-1 would still be helpful. Thanks again
- June 18, 2017 at 9:26 am #9232
A huge thanks for all your help, not only the technical stuff but also the human emotional stuff. It gave me the confidence to trust and just do it. It would either work or wouldn’t, but it worked and it looks fabulous. I did put the piece of plywood/artwork with it’s back to the sun against a black shed door and most of the cloudiness/moisture(?) disappeared which I sanded down,left for a few hours and it has now completely gone.
I put the final layer of Resin8 1-1 on top of the Pebeo and it finished beautifully, better than expected. You are right, it is about experimenting, taking risks and if it had gone wrong, well that would have opened different avenues to explore. I am now on my next resin challenge!
Thank you again but yellowing answer would still be appreciated.
- June 18, 2017 at 5:26 pm #9238
It makes my heart sing to hear everything worked out for you. 🙂 Good to know as well on how you fixed the cloudiness.
And you are welcome for the emotional support as well. I have been there — the pressure of a show and things NOT curing the way they need to. It will drive you crazy!! The good news is that you are a better resin artist for it. 😉
- June 18, 2017 at 5:21 pm #9235
I always recommend resin pieces stay out of direct sunlight. That will do more to yellow a piece than anything. A bright room might yellow a piece sooner, but quite frankly, I don’t think most people notice that. You will because you are a fussy artist. (I mean that in a good way)
When in doubt, ask the manufacturer about if/how their product is UV stabilized. For example, the Resin Obsession super clear resin is UV stabilized, but doesn’t contain the HALS (like ArtResin) because it doesn’t need it with its chemical composition.
I will drop a note to Resin8 for their help on this.
- July 6, 2017 at 10:45 am #9369
Resin8 1 to 1 utilises the most up to date U.V inhibitors / blockers to offer robust non-yellowing properties. But we would still recommend that pictures are not hung in direct sunlight – we say to customers treat them as if they were a water colour painting.